
REUTERS/Gene Blevins/Files
Michael Jackson in 2005.
June
26, 2009 | CNN's coverage of Michael Jackson's sudden illness in the
minutes before his death was reported captured nicely the way the media
has treated him. Nutty people were allowed to talk at length, including
a guy who kept saying his concerts in London were in 2010. (They were
scheduled for next month.)
Wolf Blitzer looked into the camera to
tell us earnestly that the head of the concert promotion company had
told them that Jackson was in "tip-top shape," and that he'd passed a
health exam "with flying colors."
Funny how an impossibly pampered 50-year-old guy in top-top shape could just keel over dead.
We're supposed to live in an Age of Paparazzi. Isn't it curious how stars nonetheless manage to die right before our eyes?
They do it with our complicity.
Born
not just to celebrity but to stardom, Michael Jackson never knew what
it was like to live normally, or even behave normally. He was drafted
into the family's musical act, the Jackson 5, while in elementary
school, and taken to Motown records. He was taught how to live a
manufactured image at the feet of Berry Gordy, who was quite good at
such legerdemain.
If you're 9 years old and born to be a star,
such training will definitely turbocharge the marketing of your record
sales; as for the fact that almost all the money from those sales went
to your teacher and not you ... well, that was his second lesson.
Trust, truth ... these were concepts Michael Jackson learned early
on didn't have much worth. But of course he had his family, right?
His
angry father beat him and his eight siblings with some determination,
reputable biographers have told us. (Untrustworthy La Toya said that
she and Michael were sexually molested, too.) On tour at age 10,
Michael tried to sleep as his older brothers banged groupies in the
motel rooms they shared. Then all the kids watched in wonder as their
father took up with another woman and had a child with her.
Love,
marriage, sex ... Michael Jackson learned early that those didn't mean
much either. The Jackson 5 had a three-year run, not bad for a kid act.
When the family, which realized it hadn't made any money, left the
label, a vengeful Gordy exacted as a price not just a brother --
Jermaine, who, married to Gordy's daughter, stayed at Motown -- but
even their name. When they moved to Columbia, they couldn't use the
name the Jackson 5.
Michael was all of 14.
In five years he
collected himself, extracted himself from his father's control and
recorded two albums that would change the music industry. The best was
the first: 1979's "Off the Wall," a groovy, irresistible stunner.
Blithe and implacable, sparkling and protean, it displayed a lean
talent, feline in his sexuality and relaxed in his blackness. The
round-faced, broad-nosed charmer looking out from the album's cover
reeked not just of charm but confidence and, for the last time,
normality.
Three years later, "Thriller" would take what became
an epochal step forward in terms of commerciality. Viewed now, with the
benefit of hindsight, we can see Jackson's evolving physiognomy is
symptomatic of an insecurity we didn't think to question at the time.
His
celebrity's toll on his own and his family's life became considerable.
For some unaccountable reason, after "Thriller" he still lived at home,
as his family busied itself with intrigues and cockamamie plans. One
imagines him sitting in his room ignoring the knocks at his door as
offers of millions came in to the family from across the country and
around the world to do just about anything -- anything, that is, that
Michael would do too.
With the exception of Janet, his youngest
sister, who somehow managed to extract herself and create her own
extraordinary career, virtually every member of his family managed to
blemish their reputations; among other things, more than one of the
boys, their father's sons, were charged with beating up their
girlfriends or wives.
The story from that point is a bleak and
unrelieved one. Superficial things: Michael's ludicrous trappings and
entourages; the fetishization of the armed militias marching around in
his videos; tales of his supposed bizarre doings leaked to tabloids;
the grasping grandiosity of his public appearances. Jackson had a flair
for exploiting the tabloid celebrity he had, but that was a skill he
shared with Anna Nicole Smith and Paris Hilton, and it probably
shouldn't be listed among his unique abilities.
More serious things: mismanaged tours; declining songwriting skills; ever-more erratic album releases.
Even
more serious things: an entirely transfigured physical appearance,
morphing from an engaging and handsome African-American man into a
misshapen Eurasian woman; his skin bleached, his face resculpted; his
nose, finally, needing to be practically taped onto his face. He left
his race behind and, in a sense, his family too. (The nose, which
seemed to have borne the brunt of his obsession with plastic surgery,
was his father's.)
The master of crossover had seemingly crossed over for good.
And
finally, a black moral hole, and a descent into a double life as a
sexual predator. You've heard about not taking candy from a stranger;
Jackson's candy took the form of literal amusement parks. There were
nights of fun and sleepovers and inappropriate touching and ...
Accusations
were leveled many times; most cases were settled; one case, gone to
trial, ended in an acquittal in Santa Maria in 2005.
In the
obituaries, writers will savor Jackson's talents, which were
unquestioned; his ambition, which was otherworldly and a thing of awe;
and his heyday, which lasted really just a few years, and encompassed
perhaps two and a half albums. Others will reflect on the tragedies
visited upon him and those he visited on others.
I think it's
fair to classify Kurt Cobain's death as one brought on by medical
problems, specifically the roiling interaction of depression and
addiction. Jackson's death is in this sense more purely a suicide, just
as Elvis Presley's was some three decades ago. Like Presley, Jackson at
some point stepped through a door, closed it, and turned the key. What
went on behind the door we'll never know.